Grady Martin, as a member of the Nashville A-Team, played guitar on some of the most classic country hits of the 50's and 60's, but it's his "fuzz effect" (discovered accidentally during the recording of Marty Robbins' "Don't Worry" in 1961) that changed the sound of Rock to come. Originally caused by a faulty pre-amp in the studio, this sound has been used by everyone from the Ventures to Radiohead, and of course has been made into many different pedals like the "Fuzz Tone" or the "Big Muff" that probably many of you shoe-gazing guitarists own some version of. "The Fuzz" (on Decca) is kind of a tribute to that sound, and with a different production would sound straight gangsta and fit into any miami bass or dubstep party. I love the fading effect of the strings, and how the guitar sound reminds me of an old Lee Hazelwood walking down an Arizona highway.
Grady Martin- "The Fuzz"
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